1. There are no genres in cinema, only multiple polarities (fiction, documentary, diary, experimental, essay) between which every film finds its own balance and invents its own machine.
2. Any film worthy of the name is a machine, with its functions, its dysfunctions, its own operations. The interest of a film does not lie in its message or in its story in the literary sense, but in the operations it executes, in the articulations it keeps making and unmaking between form and meaning (this applies to any creative medium).