”My collaboration with Wong Kar-Wai actually began with Fallen Angels, for which I shot half the film as Christopher Doyle left the job midway through, too. I wasn’t credited for Fallen Angels, though.
[For In The Mood for Love] [Wong Kar-Wai] only showed me thirty-eight minutes that were already edited. He did not even ask me to follow what Christopher Doyle had done. He simply showed me the film and let me take things into my own hands.